Thursday, March 3, 2011

ANGRY HILL


And from the angry hill, if I don’t get killed,
I stand and look over the overlooked.

I see 1970, when, with clenched fists,
wearing beards and beads,
afros and dashikis,
people proudly punched through ceilings,
punched the skies and shouted
"Power to the people"
and young artisans punched eyelets
in archipelagos of leather.
I see 1970, and after,
the Drag and industry, and after,
the Drag, the dreadlocks and the drugs,
I see the misery of Sewer City and I ask,
how conscious were we,
how conscious are we?

I see brothers, like Harry Hippie,
in the throes of vagrancy,
liming on the Promenade of the Prince,
the new home for the homeless, the aimless
and the mad where the conscious and the soulful
once sold sandals while the conscienceless
sold dope to hook and drag
brothers through the mud like Hector's hapless corpse.
I have seen the hooked, like bachac, in procession,
dragging the spoils of their conquest of distress
to the Drag to exchange, for almost nothing,
for coke, for smoke, for rocks, for stone,
while the conscious sat and looked
and said nothing and did nothing, and I ask,
how conscious were we,
how conscious are we?

And from the angry hill, if I don’t get killed,
I stand and look over the overlooked.

And I remember, NUFF respect, how the young
and foolish, the conscious and idealistic
like Jones and Jeffers once went up into the hills
and went down, for almost nothing, in a hail
of the Fox’s bullets before he posed with gun
on shoulders and his boots upon their chest.
And I see the conscious, forty years after,
emerging from amnesia of annual processions,
walking up the hill again like zombies
awoken from the sleep and shadows of the past
and I wonder, how conscious were we,
how conscious are we?

I see 1990, twenty years after,
I see 1990, and after,
the holy war, guns and gangsters, and after,
the ignorance of young fools killing each other,
for almost nothing, for ranks, for turf,
for the scrapings at the bottom of the barrel.
Then I take a walk up Frederick Street
where the hip and the holy once would meet
and congregate with the conscious
and the conscienceless.
I keep walking to the high walls, the cold walls,
now crowded with the children of the conscious
and the conscienceless

and I remember Mice and Nyah,
the King brothers and Guerra and Dole
and all the other gangsters, the monsters
and ministers of mayhem and blood money
how they murdered each other
and how nine evil men came to a doleful end
but the Orinoco, the Orinoco and the blood still flow;
and I wonder who they were fronting for,
who they were fronting for,
who they were fronting for,
and I wonder, how conscious were we,
how conscious were we,
how conscious are we,
how conscious are we?

And from the angry hill, if I don’t get kilIed,
I stand and look over the overlooked.

©2011 by G. Newton V. Chance

No comments:

My photo
George Newton Vivian Chance (Trinidad and Tobago) -- member of the Poet Society of Trinidad and Tobago, http://poetssocietytt.blogspot.com/ and the World Poets Society, http://world-poets.blogspot.com/ -- born in Tobago on 3rd March 1957. While residing at Rio Claro was inspired to write over a hundred poems at the turn of the Millennium. Hobbies include playing wind instruments, building computers, observing nature, reading and writing poetry. Believes that the power of a song is in its ability to evoke emotions by the marriage of lyric and music but that music without lyric can be just as powerful, that lyric without music can also be just as powerful, that there is music in the lyric and that lyric can be simple yet profound. Also, in this the age of computers, would like to model his lines after simple and efficient code and, analogous to Object Oriented Programming, achieve most of his imagery from nouns and verbs, avoiding the bloat and excess of unnecessary adjectives. This is what he aspires to attain in his poetry.

I've known rivers:
I've known rivers ancient as the world and older
than the flow of human blood in human veins.

My soul has grown deep like the rivers.

I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.

I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln
went down to New Orleans, and I've seen its muddy bosom turn
all golden in the sunset.

I've known rivers:
Ancient, dusky rivers.

My soul has grown deep like the rivers.

by Langston Hughes

the poet writes the poem;
the reader gives it life
(© G. Newton V. Chance)
Make somebody happy (© Alexander Ligertwood & Carlos Santana)

Followers

Viva Visitors

Caribbean Literary Salon

Total Pageviews


marketing courses  Creative Commons License
http://newton-chance.blogspot.com by http://newton-chance.blogspot.com is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Based on a work at newton-chance.blogspot.com.
Permissions beyond the scope of this license may be available at http://newton-chance.blogspot.com.