Saturday, June 18, 2011

PROMISES

I promised you the world, my love,
But the world slipped through my fingers
Like water through a sieve,
A forearm through a sleeve
Or sunshine through the leaves.

I promised you my dreams, my love,
But my dreams evaporated
Like water in the sun,
A foetus never born,
An action never done.

Promised you my love, my love,
But love slipped through my fingers
Like water through fish gill,
A hundred dollar bill
Or wind through window sill.

I gave to you my world, my love,
But the wind slipped through my fingers,
Promises evaporated
And like toy balloons, inflated,
Love floated off to other dreams
And left us incarcerated.

Copyright ©2011 by G. Newton V. Chance

Tuesday, June 7, 2011

DEAREST ONE

Remember when this heart, an envelope,
Forlorn, lonely letter, lay unopened and unread;
And you, beautiful ballad, you a song whose name,
Dearest One, I knew from the first exquisite note.
Dearest One, but for you, long would I have gone
Quietly into that cold, dark, blue oblivion.

I remember you in the scent of carbolic soap
You loved so much, my manhood’s fresh ablution,
When morning smiled her big infectious smile,
The hills lit up with joy and pairs of lovebirds,
Wild and free, would wave hello while winging
Their way on green winds to bounties in the trees.

And we enjoyed the sweet fruits of belonging
After the long dry season of our longing.

Copyright ©2011 by G. Newton V. Chance

Saturday, June 4, 2011

REQUIEM FOR THE LIVING

Oh, this land is a pleasant place
For them that’s rich and high
But this land is a fogged up place
For wretched folk as I.


Land of holy days and holidays where
Wealth and power prosecute and persecute
The destitute and prostitute

With sticks and stones and brittle bones
Of old philosophies and old theologies
While pimps and paedo-priests walk free

On honey-roasted city streets, fronting
For the crime and grime of filthy slum-
Lords; the buccaneers never left.

Oh, this land is a pleasant place
For them that’s rich and high
But this land is a fogged up space
For wretched folk as I.


There’s a smug and smoggy skettel bird,
Singing with shrill discord,
A dying kettle’s whistle
Of steam and boiling blood,

While corbeaus in peacock feathers
Lip-sync in stinking galleries,
On sinking galley stages
Of shrinking work and wages.

In this tropic transience of things
Garish billboards proclaim obituaries,
With graphic, graffiti obscenities,

Nocturnal festivities at the Club-
Foot of estranged hills and gullies.

Another city folds and crumples;
Skyscrapers fall and crumble
Into rubble like crisply shattered crackers;
Protect us, Lord, from all disasters.

Do not wait up or weep, my love.
Where night goes, Knight Templars may not return
But rest assured the morning cock will crow
And by the sun the mongrel morn shall burn

The aspirations of the tyrant day
Whose kingdom is a harsh and cruel land.

Oh, this land is a pleasant place
For them that’s rich and high
But this land is a fogged up place
For wretched folk to live... or die.


Copyright ©2011 by G. Newton V. Chance

Friday, June 3, 2011

AARDVARK

Waded through the squelch and slush
to trellised truths in concrete jungles
of canned and canopied stories.

The Emperor went unnoticed,
au natural, in the midst
of nature, in naturist colonies.

Picked the fickle
from the pickles,
flecked red with disbelief.

Ah the relief of release,
the release of relief.

Said the elephant,
student of history,
to the entrepreneurial ant,

“While the mammoth scoffed,
the aardvark never laughed
at the absurdity of the Ark.”

And sometimes, God would cease
to exist, for the atheist,
but for the arrant proof of pain.

Copyright ©2011 by G. Newton V. Chance
My photo
George Newton Vivian Chance (Trinidad and Tobago) -- member of the Poet Society of Trinidad and Tobago, http://poetssocietytt.blogspot.com/ and the World Poets Society, http://world-poets.blogspot.com/ -- born in Tobago on 3rd March 1957. While residing at Rio Claro was inspired to write over a hundred poems at the turn of the Millennium. Hobbies include playing wind instruments, building computers, observing nature, reading and writing poetry. Believes that the power of a song is in its ability to evoke emotions by the marriage of lyric and music but that music without lyric can be just as powerful, that lyric without music can also be just as powerful, that there is music in the lyric and that lyric can be simple yet profound. Also, in this the age of computers, would like to model his lines after simple and efficient code and, analogous to Object Oriented Programming, achieve most of his imagery from nouns and verbs, avoiding the bloat and excess of unnecessary adjectives. This is what he aspires to attain in his poetry.

I've known rivers:
I've known rivers ancient as the world and older
than the flow of human blood in human veins.

My soul has grown deep like the rivers.

I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.

I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln
went down to New Orleans, and I've seen its muddy bosom turn
all golden in the sunset.

I've known rivers:
Ancient, dusky rivers.

My soul has grown deep like the rivers.

by Langston Hughes

the poet writes the poem;
the reader gives it life
(© G. Newton V. Chance)
Make somebody happy (© Alexander Ligertwood & Carlos Santana)

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