Monday, August 23, 2010

BLOODWOOD


Bleed,
bleed, Bloodwood;
bleed,
as cruel blade
bites through skin,
cruelly invades
body ,
drawing blood-sap
from beneath your bark.

Para and Balata
bleed
bouncing balls of rubber;
and Maple,
bottles of liquid sugar.
You, oh Bloodwood,
bleed
blood and liquid anguish.

The Roble and the Poui,
as everyone knows,
brandish golden-yellow flambeaus
in flamboyant Dimanche Gras shows.
You, in your modesty,
your darker-chocolate, golden-yellow,
just as flamboyant, blossoms
go unnoticed
except by the few
fortunate to see you
in your splendour.
Ask the honeybee.

But Bloodwood, I know you.
Can recognize you anywhere,
your buttress-wings,
butterfly-thin
yet sturdy;
almost gossamer
if not made of wood.
I know your anguish.
To feel the cruel blade of men
for no reason
other than to know you;
to see you bleed,
incisions and decisions
to fell you or to spare you.

Bleed,
bleed, Bloodwood;
bleed,
and when your blood
has dried up
your body and your heart-
wood
will give life, give sustenance,
to termites
intimately dwelling
in the wooden homes
and hearts of men.

Tree,
you must be a woman.
Only a woman can
bleed,
bear fruit
and bitter burdens.
Only a woman can
bleed
so much and live.

Copyright ©2010 by G. Newton V. Chance

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George Newton Vivian Chance (Trinidad and Tobago) -- member of the Poet Society of Trinidad and Tobago, http://poetssocietytt.blogspot.com/ and the World Poets Society, http://world-poets.blogspot.com/ -- born in Tobago on 3rd March 1957. While residing at Rio Claro was inspired to write over a hundred poems at the turn of the Millennium. Hobbies include playing wind instruments, building computers, observing nature, reading and writing poetry. Believes that the power of a song is in its ability to evoke emotions by the marriage of lyric and music but that music without lyric can be just as powerful, that lyric without music can also be just as powerful, that there is music in the lyric and that lyric can be simple yet profound. Also, in this the age of computers, would like to model his lines after simple and efficient code and, analogous to Object Oriented Programming, achieve most of his imagery from nouns and verbs, avoiding the bloat and excess of unnecessary adjectives. This is what he aspires to attain in his poetry.

I've known rivers:
I've known rivers ancient as the world and older
than the flow of human blood in human veins.

My soul has grown deep like the rivers.

I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.

I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln
went down to New Orleans, and I've seen its muddy bosom turn
all golden in the sunset.

I've known rivers:
Ancient, dusky rivers.

My soul has grown deep like the rivers.

by Langston Hughes

the poet writes the poem;
the reader gives it life
(© G. Newton V. Chance)
Make somebody happy (© Alexander Ligertwood & Carlos Santana)

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