Sunday, July 11, 2010

PIPILE PEOPLE

(for Robyn Cross)

With feelings of foreboding,
we watched;
an Arawak and I,
perched high,
on a laurier tree
in the hills of Iere,
we watched three strange ships
with long white wings
riding the winds
above the sea,
watched them sail to shore and land
strange looking strangers,
strange white-skinned men
with long white crests and dewlaps
and long straight bows we later learned
spit thunder.

Thus began,
with axe and machete in hand,
the wanton clearing of my land.

Later, other strangers came;
strange men with ebony skin and iron chains
around their dewlaps,
then men with brown skin like the first peoples
and yellow skin like ripe pineapples.

Later still, appeared the skidder and the Stihl
with demon power designed to kill
the forest and her fledglings.

My friend, the Arawak, has long succumbed
'cept for a few straggling souls,
struggling for survival
and recognition.

I swear by my blue wattle
I have witnessed many battles
'tween Papa Bois and people
as he strove and strove to save us
from Conquistador's colonial curse
and heartless hunter's blunderbuss.

I, Pipile pipile,
better known as Pawi,
ask not for your pity,
but that you open eyes and see
that I am you and you are me.

Lose me and you would have lost
your way, your self, your soul;
I am this nation's survival--
I am this nation's past,
its present ...
its patrimony.

I am Pipile pipile,
Spirit of this island and its people.

Copyright ©2010 by G. Newton V. Chance

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George Newton Vivian Chance (Trinidad and Tobago) -- member of the Poet Society of Trinidad and Tobago, http://poetssocietytt.blogspot.com/ and the World Poets Society, http://world-poets.blogspot.com/ -- born in Tobago on 3rd March 1957. While residing at Rio Claro was inspired to write over a hundred poems at the turn of the Millennium. Hobbies include playing wind instruments, building computers, observing nature, reading and writing poetry. Believes that the power of a song is in its ability to evoke emotions by the marriage of lyric and music but that music without lyric can be just as powerful, that lyric without music can also be just as powerful, that there is music in the lyric and that lyric can be simple yet profound. Also, in this the age of computers, would like to model his lines after simple and efficient code and, analogous to Object Oriented Programming, achieve most of his imagery from nouns and verbs, avoiding the bloat and excess of unnecessary adjectives. This is what he aspires to attain in his poetry.

I've known rivers:
I've known rivers ancient as the world and older
than the flow of human blood in human veins.

My soul has grown deep like the rivers.

I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.

I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln
went down to New Orleans, and I've seen its muddy bosom turn
all golden in the sunset.

I've known rivers:
Ancient, dusky rivers.

My soul has grown deep like the rivers.

by Langston Hughes

the poet writes the poem;
the reader gives it life
(© G. Newton V. Chance)
Make somebody happy (© Alexander Ligertwood & Carlos Santana)

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