Wednesday, April 24, 2013

24/30 BANANA BOAT

In them days I was a little boy
when two coastal steamers,
the Scarlet Ibis and Bird of Paradise,
painted nation colours of red, white,
black, named for national birds,
pride and beauty of Trinidad
and Tobago,
would arrive and with horn-boom,
boooooom, dock and drop anchor
in the natural deep water harbours
of Parlatuvier
and Castara.

Then strong men, like the short and stocky
sailor called Selassie, looking all dashing
and resplendent, immaculate in white
sailor cap, shirt and short pants
like sailor mas on Carnival Monday,
would come ashore on a white life boat
and tie thick rope from steamer
on coconut tree trunk at high shoreline;

as steamer rode waves'
relentless ebb and swell and coconut
waved and swayed in heavy trade winds,
smelling of sea, sea life and dead sea things,
gulls and terns would screech,
make steep turns in tight formation,
and the rope would belly-sag and tauten
over and over again;

sometimes to show off strength
someone would walk the rope by hand,
Tarzan on jungle vine,
and little schoolboys watching
from schoolyard would whisper,
when I get big
I want to be a sailor
just like Selassie and them.

The boat would load cocoa,
dasheen, sweet potato, yam, cassava,
green plantain and green banana,
untie and with horn-boom, boooooom,
bid farewell and head out to sea again.
But that was a long, long time ago.

Now, we import rice from Guyana,
soursop, zabocca,
yam, dasheen, banana
from St. Vincent and Grenada...
I know we now a Republic
but how come now
we being dubbed by some, a banana
boat Republic?

©2013 by G. Newton V. Chance

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George Newton Vivian Chance (Trinidad and Tobago) -- member of the Poet Society of Trinidad and Tobago, http://poetssocietytt.blogspot.com/ and the World Poets Society, http://world-poets.blogspot.com/ -- born in Tobago on 3rd March 1957. While residing at Rio Claro was inspired to write over a hundred poems at the turn of the Millennium. Hobbies include playing wind instruments, building computers, observing nature, reading and writing poetry. Believes that the power of a song is in its ability to evoke emotions by the marriage of lyric and music but that music without lyric can be just as powerful, that lyric without music can also be just as powerful, that there is music in the lyric and that lyric can be simple yet profound. Also, in this the age of computers, would like to model his lines after simple and efficient code and, analogous to Object Oriented Programming, achieve most of his imagery from nouns and verbs, avoiding the bloat and excess of unnecessary adjectives. This is what he aspires to attain in his poetry.

I've known rivers:
I've known rivers ancient as the world and older
than the flow of human blood in human veins.

My soul has grown deep like the rivers.

I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.

I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln
went down to New Orleans, and I've seen its muddy bosom turn
all golden in the sunset.

I've known rivers:
Ancient, dusky rivers.

My soul has grown deep like the rivers.

by Langston Hughes

the poet writes the poem;
the reader gives it life
(© G. Newton V. Chance)
Make somebody happy (© Alexander Ligertwood & Carlos Santana)

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