Saturday, March 9, 2013

RUBBER

(for Austin ‘Superblue’ Lyons)

Aye, Austin, remember when we little black boys
and blue boys would cut and cut and cut the bark
of the rubber tree down in the gully; bleed the sap,

milky brown ‘laglee’, in a tin cup like a livestock
farmer milking his cattle's teat. Dry it in the tropic heat,
stretch thin and wrap and wrap and wrap into rubber

balls. Odd balls that would bounce and bounce and bounce
as with some super pogo power or a six million dollar bionic
man. In 'country' cricket, erratic, hit for six, would get lost

in the bushes and fielders would search and search and search
for the prodigal ball, like Oddfellows searching for a Holy Grail,
to no avail. Lost-ball win match for the side at the wicket

and the loser would run home with his bat, or his other ball
in his pocket, like a spoil-child. Then one day, while clearing
the bushes, you bounce up on the ball and it still good as ever,

still erratic, bouncing, bouncing, bouncing every which way
like a super pogo or six million dollar man, googlie, swinging
from side to side, wicked, knocking down young boy wicket

with venom like a Midnight Robber.
Aye , Austin, we can't afford to lose this match
or lose this ball again.

©2013 by G. Newton V. Chance

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George Newton Vivian Chance (Trinidad and Tobago) -- member of the Poet Society of Trinidad and Tobago, http://poetssocietytt.blogspot.com/ and the World Poets Society, http://world-poets.blogspot.com/ -- born in Tobago on 3rd March 1957. While residing at Rio Claro was inspired to write over a hundred poems at the turn of the Millennium. Hobbies include playing wind instruments, building computers, observing nature, reading and writing poetry. Believes that the power of a song is in its ability to evoke emotions by the marriage of lyric and music but that music without lyric can be just as powerful, that lyric without music can also be just as powerful, that there is music in the lyric and that lyric can be simple yet profound. Also, in this the age of computers, would like to model his lines after simple and efficient code and, analogous to Object Oriented Programming, achieve most of his imagery from nouns and verbs, avoiding the bloat and excess of unnecessary adjectives. This is what he aspires to attain in his poetry.

I've known rivers:
I've known rivers ancient as the world and older
than the flow of human blood in human veins.

My soul has grown deep like the rivers.

I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.

I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln
went down to New Orleans, and I've seen its muddy bosom turn
all golden in the sunset.

I've known rivers:
Ancient, dusky rivers.

My soul has grown deep like the rivers.

by Langston Hughes

the poet writes the poem;
the reader gives it life
(© G. Newton V. Chance)
Make somebody happy (© Alexander Ligertwood & Carlos Santana)

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