Saturday, March 23, 2013

DRY SEASON

It is the season of the harvest
when a parched land
is forsaken
by heaven and her rain,
the sun a constant squint
above the ancient parchment
of a blue and cloudless sky.

A green leaf briefly
turns gold-
en and then forever
brown but the forest and the tree
lives on, a tiny seed
in the alchemy of the seasons.

What is this fascination with fire?
Immortelle, roble, bloodwood, poui
tree roofs are ablaze,
the forest a burnt offering
to Vulcan or to Mars.

(Better by far, a forest
aflame with flower
than with fire.)

These tall trees burning were once men
or men were once tall trees burning
with faith and fervour
living centuries in Bible days;
hard to believe
in a land of green
and plenty, blessed
with perpetual warmth, a heart
can be so hungry, so empty, so naked,
so gaunt
but heart is a witness
that never lies.

Here, amidst harsh
beauty of tinder-brittle forest floor
and river beds of dwindling water,
there is a thirst,
a bitter dryness
of the mouth and throat,
a thirst for truth
and right that will not
be slaked or sated
or placated
by cosmetic
rhetoric
or tainted platitudes.

©2013 by G Newton V Chance

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George Newton Vivian Chance (Trinidad and Tobago) -- member of the Poet Society of Trinidad and Tobago, http://poetssocietytt.blogspot.com/ and the World Poets Society, http://world-poets.blogspot.com/ -- born in Tobago on 3rd March 1957. While residing at Rio Claro was inspired to write over a hundred poems at the turn of the Millennium. Hobbies include playing wind instruments, building computers, observing nature, reading and writing poetry. Believes that the power of a song is in its ability to evoke emotions by the marriage of lyric and music but that music without lyric can be just as powerful, that lyric without music can also be just as powerful, that there is music in the lyric and that lyric can be simple yet profound. Also, in this the age of computers, would like to model his lines after simple and efficient code and, analogous to Object Oriented Programming, achieve most of his imagery from nouns and verbs, avoiding the bloat and excess of unnecessary adjectives. This is what he aspires to attain in his poetry.

I've known rivers:
I've known rivers ancient as the world and older
than the flow of human blood in human veins.

My soul has grown deep like the rivers.

I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.

I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln
went down to New Orleans, and I've seen its muddy bosom turn
all golden in the sunset.

I've known rivers:
Ancient, dusky rivers.

My soul has grown deep like the rivers.

by Langston Hughes

the poet writes the poem;
the reader gives it life
(© G. Newton V. Chance)
Make somebody happy (© Alexander Ligertwood & Carlos Santana)

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