How many times have I, in my mind’s-eye,
in soaring, free flights of wistful fancy,
on a fair trade wind, floated out to sea
to land upon your jagged peaks and clefts,
there where the breeding, brooding boobies nest
on steep crests whitewashed with pelican mess,
among fledgling terns, featherless but furred;
or circled high above, a frigate bird,
then swooped so fast an osprey, vision blurred
to graceful cotillions of man o’ wars
and Spanish flotillas or armadas
that once did proudly prowl and prey your shores;
or mingled in the froth of crashing waves,
washing your feet and rushing at your caves
where many pirates rest in watery graves
and seaweeds waltz to solemn siren songs
among the shells of pacro, whelks and conchs
and salt-cured cedar ribs of galleon bones;
or scubaed with the groupers and the sharks,
with fish gills in your underwater parks,
and marveled at your reefs, your coral arks,
then, like a submarine to ocean floor,
would dive dark depths, discover and explore
cavorting creatures mythical of lore,
descending deep into your timeless sands
to sift encrusted gold coins in my hands
and lift the plundered treasures of your lands.
Then, like your loosened stones, my daydreams sink
for treasure I possess naught but this ink;
my buried navel string will never clink.
Copyright ©2001 by G. Newton V. Chance
What is a song if not poetry dressed in melody to sing along? (© G. Newton V. Chance)
Sunday, October 19, 2008
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- G. NEWTON V. CHANCE
- George Newton Vivian Chance (Trinidad and Tobago) -- member of the Poet Society of Trinidad and Tobago, http://poetssocietytt.blogspot.com/ and the World Poets Society, http://world-poets.blogspot.com/ -- born in Tobago on 3rd March 1957. While residing at Rio Claro was inspired to write over a hundred poems at the turn of the Millennium. Hobbies include playing wind instruments, building computers, observing nature, reading and writing poetry. Believes that the power of a song is in its ability to evoke emotions by the marriage of lyric and music but that music without lyric can be just as powerful, that lyric without music can also be just as powerful, that there is music in the lyric and that lyric can be simple yet profound. Also, in this the age of computers, would like to model his lines after simple and efficient code and, analogous to Object Oriented Programming, achieve most of his imagery from nouns and verbs, avoiding the bloat and excess of unnecessary adjectives. This is what he aspires to attain in his poetry.
I've known rivers:
I've known rivers ancient as the world and older
than the flow of human blood in human veins.
My soul has grown deep like the rivers.
I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.
I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln
went down to New Orleans, and I've seen its muddy bosom turn
all golden in the sunset.
I've known rivers:
Ancient, dusky rivers.
My soul has grown deep like the rivers.
by Langston Hughes
the poet writes the poem;
the reader gives it life
(© G. Newton V. Chance)
the reader gives it life
(© G. Newton V. Chance)
Make somebody happy (© Alexander Ligertwood & Carlos Santana)
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